Berlin Tosses Out Controversial Funding Clause That Was Protested by Artists

Berlin has repealed an anti-discrimination funding clause amid mass protests from artists both in and beyond Germany.

The clause required all recipients of city funding to commit themselves against antisemitism as defined by the International Holocaust Remembrance Alliance (IHRA). That organization’s definition says it is a form of prejudice to deny Israel’s right to exist.

After Berlin culture senator Joe Chialo announced the clause earlier this month, many artists claimed that it would be used as a means to silence those who spoke out in favor of Palestine. Hundreds of artists signed an open letter put out by Strike Germany, which calls for a boycott of institutions in the country that rely on “McCarthyist policies that suppress freedom of expression, specifically expressions of solidarity with Palestine,” according to a description on its site.

On Monday, less than a month after enacting the clause, Chialo said he was suspending it because of what he described as “legal concerns.”

But he also said he would continue to commit himself against a “non-discriminatory” culture in Berlin, saying in a statement, “I have to take seriously the legal and critical voices that saw the introduced clause as a restriction on artistic freedom.”

His statement came as some artists started to pull their work from the Berlinale film festival and institutional exhibitions, making widely shared social media statements about their reasons for doing so.

Artists Suneil Sanzgiri and Ayo Tsalithaba pulled new works set to show this February at the Berlinale, which is among the foremost film festivals in their world. “While I do not claim that removing one’s work is the only moral or ethical decision,” Sanzgiri wrote on Instagram, “we have an opportunity to collectively move in support of the Palestinian struggle by not letting our work prop up a country that, like the United States, aids and abets Israel’s war crimes, ignores international law, and requires all cultural institution to wrongly equate critiques of Zionism to anti-semitism.” (In response, the festival said it remained committed to an “open dialogue, which invites and cherishes a wide range of voices and positions.”)

Five artists—Holly Childs and Gediminas Žygus, Mohammad Berro, Monica Basbous and Charbel Alkhoury—pulled their work from the Transmediale, a Berlin festival for digital art that kicks off on January 31. After the artists withdrew, the festival called for a ceasefire and warned that the funding clause “does risk influencing future editions, as Berlin directly accounts for approximately 7% of our budget.”

American Artist and Morehshin Allahyari pulled out of a group show opening at Berlin’s KW Institute for Contemporary Art in February, and filmmaker Maryam Tafakory withdrew a work from a current exhibition at Portikus, a contemporary art museum in Frankfurt beloved by the international art world.

In response to Tafakory’s decision to remove her work, Portikus closed for the weekend. “The cycle of violence and misinformation will not stop until all voices are allowed to be heard,” the museum wrote in a statement posted to social media.