Brooklyn Museum Director’s Home Vandalized with Anti-Zionist Graffiti
The home of Brooklyn Museum director Anne Pasternak was vandalized overnight in an apparent protest of her institution’s ties to Israel.
Red paint was splashed across the front door and windows of Pasternak’s home. Unfurled between two columns was a banner that read: “Anne Pasternak / Brooklyn Museum / White Supremacist Zionist.” Beneath that statement, in a smaller, red font, were the words “Funds Genocide.”
The residences of several Brooklyn Museum board trustees were also reportedly targeted, New York City Mayor Eric Adams said on X.
“This is not peaceful protest or free speech,” he wrote. “This is a crime, and it’s overt, unacceptable antisemitism. These actions will never be tolerated in New York City for any reason. I’m sorry to Anne Pasternak and members of @brooklynmuseum’s board who woke up to hatred like this.”
Adams added: “I spoke to Anne this morning and committed that this hate will not stand in our city. The NYPD is investigating and will bring the criminals responsible here to justice.”
ARTnews has reached out to the Brooklyn Museum for comment.
On May 31, a large pro-Palestine march culminated at the Brooklyn Museum, where some 30 activists occupied the lobby for a demonstration, beating drums, waving banners, and calling for the museum to condemn the killing of Palestinians in Gaza. Activists also demanded that the institution disclose its financial ties to Israel and divest from them.
Amid a sizable police presence, approximately 1,000 protestors echoed their calls from outside. Some then climbed onto the ceiling of the museum’s glass pavilion, eventually unfurling a large banner from the museum’s roof that read “Free Palestine From Genocide.” According to Democracy Now, at least 34 demonstrators were arrested.
In the following days, activists decried the excessive force used against the crowd by riot police and members of New York Police Department’s (NYPD) Strategic Response Group onsite. In a statement to Hyperallergic, a spokesperson for the Brooklyn Museum said that “the police brutality that took place [on May 31] is devastating.” The spokesperson said that the museum did not call the NYPD. As the building is city property situated on city-owned land, officers do not need permission to enter the premises.
The museum stated that it would not press charges against the protestors and promised to work with NYPD leadership to focus “on de-escalation going forward.”
The Brooklyn Museum, like other major art institutions including the Metropolitan Museum of Art and Museum of Modern Art, has faced calls from artists, activists, and cultural workers to sever financial ties to Israel and to call for a ceasefire in Gaza. In many cases, activists have also called on these institutions to term Israel’s military actions in Gaza a genocide.
According to local health authorities, more than 37,000 people have been killed in Gaza since October 7 as a result of Israel’s air and ground campaign.
Protests at the Brooklyn Museum in December called out the institution’s corporate partnership with Bank of New York Mellon, which has investments in Israeli weapons manufacturer Elbit Systems and which has supported the Friends of Israel Defense Force Donor Advised Fund. (The Bank told the Financial Times in April that it invests in Elbit “as a result of requirements by its passive index investment strategies.”)
The Association of Art Museum Directors, an industry group for institutional leaders that counts some 240 members, including Pasternak, denounced the vandalism of her home in a statement issued on Wednesday. “We, the members of AAMD, unequivocally and forcefully condemn this antisemitic act,” the group wrote. “As cultural leaders—and also as people of different backgrounds and experiences—we understand the emotion and anger the Israel-Hamas war has wrought.”
“This,” the AAMD added, “does not mean that protestors have unencumbered rights to attack individual persons in pursuit of their cause. Whether at someone’s home or at a museum, this behavior is inexcusable. It does tremendous disservice to discourse and conflict resolution, and the ends simply do not justify the means.”