Guggenheim Museum’s Naomi Beckwith to Curate Documenta 16
Naomi Beckwith, the Guggenheim Museum’s deputy director and chief curator, will curate the 2027 edition of Documenta, a closely watched art exhibition that takes place once every five years in Kassel, Germany.
She is the first Black woman ever to curate the show in its 69-year history, as well as the second American-born curator ever to helm the art festival, after Carolyn Christov-Bakargiev, who did the 2012 edition.
Her appointment comes after a lengthy selection process that not long after the last edition, in 2022, and faced tumult in the intervening years. During that process, against the backdrop of Israel’s war in Gaza, the entire selection committee resigned before it could even name a curator for the 2027 edition, forcing Documenta to start all over again. An entirely new selection committee was named earlier this year.
Documenta is a show typically recognized for leaning more academic than its Italian counterpart, the Venice Biennale. But more recently, the exhibition has become known for something else altogether: ongoing controversy related to how the the organizers of the 2022 edition, known as Documenta 15, dealt with allegations of antisemitism. The effects of those accusations are still being felt, with German politicians closely guarding the funding of the next edition, titled Documenta 16.
Typically, curators come to Documenta with at least one major biennial under their belt. Although Beckwith has served on the curatorial committee for one edition of SITE Santa Fe’s SITElines biennial and the awards jury for the 2015 Venice Biennale, she is less well known for doing biennials than she is for organizing major shows held at American institutions. (Disclosure: Beckwith recently served on the jury for the inaugural ARTnews Awards.)
Before joining the Guggenheim in 2021, Beckwith has held curatorial posts at the Studio Museum in Harlem, the Institute of Contemporary Art Philadelphia, and the Museum of Contemporary Art Chicago. Based now in New York, she is now at work on a Rashid Johnson retrospective due to open next year at the Guggenheim. Other notable shows organized by her include a Lynette Yiadom-Boakye survey held at the Studio Museum in 2011 and a Howardena Pindell retrospective held at the MCA Chicago in 2018.
“It is the honor of a lifetime to be selected as Artistic Director for documenta 16,” Beckwith said in a statement. “documenta is an institution that belongs to the entire world, as much as it belongs to Kassel, as well as an institution that is in perpetual dialogue with history as much as it is a barometer of art and culture in the immediate present. I am humbled by the breadth of this responsibility and equally excited to share my research and ideas with this storied and generous institution: one that affords space and time for focus, deep study, exploration, experimentation, and awakenings for artists, curators, and audiences alike.”
Sven Schoeller, chairman of Documenta’s supervisory board, called Beckwith’s appointment “the start of a new future for documenta.” Her Documenta opens on June 12, 2027.